The Ambient Zone – Just Music Café Volume 4 starts 2013 on a serene note
Within the electronic folds and acoustic shifts of The Ambient Zone – Just Music Café Volume 4, is a sound world that’s both exploratory and serene. Just Music is the UK label whose impeccable roster ranges from deep ambient artists like Marconi Union, Jon Hopkins and Digitonal to singer songwriters such as Loner and Dan Arborise. They all appear on this CD with new music, compiled and sequenced by DJ Ben Mynott.
Marconi Union’s “Weightless” is your gateway into the zone. It’s been dubbed “the most relaxing song ever” by British Academy for Sound Therapy and certified by Time Magazine. There’s no mistaking the deep sonic massage of this work which lolls about like a ship crossing an endless placid ocean. This work hangs like an umbrella over The Ambient Zone, embracing a world of classical elegance, electronic atmospheres and even Spanish guitar orchestrations from Andrea Terrano.
Digitonal’s “Sense”
Digitonal, whose album, Save Your Light for Darker Days (an Echoes CD of the Month in 2008), was a definitive work of ambient chamber music, bring us a tantalizing taste of their long-awaited follow-up with “Sense,” a seductive, loungy walk with Andy Dobson’s clarinets, not your usual ambient axe, blowing Satie-like breezes through a dark and smoky atmosphere.
Echaskech’s “Little Rays”
Echaskech is a multi-media duo that has been bubbling under the ambient surface for a while. Their “Little Rays” is a tense, slowly building work that’s part Philip Glass and part Arvo Pärt with an ostinato sequencer pattern and slowly building chords that sweep out like a stingray’s wings in slow motion. It’s startling how deep and emotionally resonant a few simple chords can be. And then the rhythm track clicks in, moving you through a cinematic landscape.
Honeyroot “Radiant”
Likewise Honeyroot, a slightly more dance oriented outfit with origins in the 1980s new wave bands ABC and Heaven 17, trades in pop facades for deeper ambient textures. Their album and song, “Sound Echo Location” signaled their new downtempo electronic direction in 2003. “Radiant” is just that: a mid-tempo song of dappled acoustic guitars, breathy female voices and lysergic-laced melodies.
The shadow of Brian Eno hangs over The Ambient Zone. His penchant for poignant melancholy and atmosphere informs every track here, none more so than those of of two Eno associates who appear on The Ambient Zone. Jon Hopkins remixes his own song, “A Drifting Up” as “A Drifting Down.” He strips out the trance rhythm track of the former in favor of a suspended free fall of shimmering electronic strings. Leo Abraham’s pensive “Seeing Stars,” one of the few previously released tracks here, is no less breathtaking than it was seven years ago on his debut album, Honeytrap.
Leo Abrahams “Under the Glow”
While I would’ve liked to have heard vocal tracks from singer-songwriters Dan Arborise and Loner, instead of the pleasant but relatively inconsequential instrumental tracks they contribute, The Ambient Zone works as both an artist showcase and an immersive excursion into ambient sound. The Ambient Zone is an album that feels like the world is peeling away, layer by layer, into multi-colored panoramas, just for you.
~© 2012 John Diliberto ((( echoes )))
Further Reading:
Marconi Union “Distance” Echoes July CD of the Month
Marconi Union Channels Ambient Miles
Digitonal “Save Your Light for Darker Days Echoes September 2008 CD of the Month
Leo Abrahams “The Grape & The Grain” Echoes May 2009 CD of the Month
Loner Echoes Interview Podcast
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The Real Story behind Vangelis
October 15, 2008From the Vangelis list, I came across an alternative history of the Greek composer who scored Chariots of Fire and Bladerunner. It’s in the Uncyclopedia.
I’m probably the last person on the planet to discover this take-off site on Wikipedia. The Vangelis entry scores a direct hit on the enigmatic composer who is praised as a modern day Mozart by supporters and a modern day Mantovani by detractors. I think the critical concensus on Vangelis has shifted over the years. Parodies making him out to be practitioner of shlock and pomposity have been the norm, but I’m hearing more and more younger musicians name-checking Vangelis as an influence. He’s been cited in recent years by artists like BT and Digitonal, the latter who said that their song, “93 Years On” from Save Your Light For Darker Days, was directly inspired by Vangelis’ Bladerunner score.
While Vangelis can lapse into sappy melodies and bombastic arrangements, he’s also made some of the most propulsive, driving electronic music of the modern age with Albedo 0.39 and Spiral as well as some music that seems to reach out and grab you by the heart on albums like Opera Sauvage and his score to 1492: Conquest of Paradise. The composer, who turned 65 last March, has slowed down in recent years, but his influence continues. But enough of praise, go have a laugh at Vangelis’s Uncyclopedia entry.
John Diliberto ((( Echoes )))
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Tags:Bladerunner, BT, Digitonal, echoes, echoesblog, electronic, John Diliberto, soundtracks, Vangelis
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