On the heels of his international acclaim at the 2012 Summer Olympic opening ceremony in London and the 40th anniversary of his signature work, Tubular Bells, Mike Oldfield takes a hard right into 70s era album rock. His latest CD, Man on the Rocks, features singer Luke Spiller from the little known band, the Struts in a set of anthemic rock songs that, save the electric guitar solos, wouldn’t be recognizable as Mike Oldfield. From his home in the Bahamas, I speak to Oldfield about the motivations behind his work in the Echoes Podcast.
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Mike Oldfield talks about his homage to American Rock
On the heels of his international acclaim at the 2012 Summer Olympic opening ceremony in London and the 40th anniversary of his signature work, Tubular Bells, Mike Oldfield takes a hard right into 70s era album rock. His latest CD, Man on the Rocks, features singer Luke Spiller from the little known band, the Struts in a set of anthemic rock songs that, save the electric guitar solos, wouldn’t be recognizable as Mike Oldfield. From his home in the Bahamas, I spoke to Oldfield about the motivations behind his work tonight on Echoes.
Join the Echoes CD of the Month Club. and get Lyla Foy’sMirrors the Sky, the April CD of the Month. You’ll get great CDs and help support Echoes at the same time. You can do it all right here.
Join us on Facebookwhere you’ll get all the Echoes news so you won’t be left behind whenDead Can Danceappear on the show, Tangerine Dream tours or Brian Eno drops a new iPad album. Or Follow us on Twitter@echoesradio.
Now you can go Mobile with Echoes On-Line. Find out how you can listen to Echoes 24/7 wherever you are on your iPhone, iPad or Droid.
Mark McGuire Creates 21st Century Progressive Rock Opus for Echoes CD of the Month
Old fans of progressive rock and space music might be forgiven if listening to Mark McGuire’sAlong the Way takes them back to about 1975, calling up music like Ash Ra Tempel’sInventions for Electric Guitar, Popol Vuh’s Seligpreisung or Can’s Soon Over Babaluma. McGuire’s heavily layered guitars with delay-driven riffs, burning solos and expansive themes would have fit perfectly in those heady times.
McGuire was in a band called Emeralds, an electronic retro-space music trio who sound like stowaways in Tangerine Dream’s Berlin studio circa 1975. But Along the Way is something different and more personal. McGuire has hinted at this in a series of little-heard solo recordings like Get Lostand A Young Person’s Guide, but Along the Wayis the culmination of these explorations: it’s a beautifully crafted album that shifts in mood and motion.
The intricate opening suite begins as a new age meditation of acoustic guitar, meandering synthesizer, chimes, and some Asian stringed instrument sounding like a koto or pipa. Those instruments are joined by a delayed electric guitar and before you know it, you’re washed into “Wonderland of Living Things.” It’s a Mike Oldfield-like confluence of insistent groove, cycling melodies and increasingly insistent delayed guitar riffs.
References abound on the album, like the Popol Vuh-inspired guitar picking on “Arrival Begins the Next Departure” with a trio of guitar lines that spiral up into the ether like vapor trail minarets. Many of McGuire’s songs are built on looping delay patterns similar to those Manuel Göttsching created on Inventions for Electric Guitar in 1975. His intricate riffs shift subtly through a song in a minimalist sleight of hand.
In the best progressive rock tradition, McGuire has grouped his compositions into a series of suites with titles like “To All Present in the Hall of Learning” and “The Age of Revealing.” There’s an 11-page densely-packed existential treatise that goes along with the record, and each track of this primarily instrumental album has philosophical concepts to go along with them. The guitarist has said:
“This story is an odyssey through the vast, unknown regions of the mind…the endless unfolding of psychological landscapes, leading to perpetual discoveries and expansions, in a genuinely emergent and infinite world of worlds.”
You may not be thinking of that during the intricate, pastoral weave of “In Search of the Miraculous” or the brain-searing crescendo of “The Instinct,” which forms like the isokinetic structure of a Hoberman sphere, slowly expanding until it explodes in a five minute electric guitar meltdown.
Playing all the instruments himself, including several kinds of guitars, mandolin, synthesizers, percussion, piano and more, McGuire’s opus recalls Mike Oldfield’s Tubular Bells in its ambitions. McGuire brings that concept into the 21st century and like that album some 40 years ago, Along the Way left me breathless.
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Interview: Mike Oldfield – the 40th Anniversary of Tubular Bells on Echoes
Hear it on-air the weekend of May 24-26
Hear the Echoes Podcast of the interview with Mike Oldfield on Tubular Bells
It was forty years ago that Mike Oldfield electrified the world with his hit album, Tubular Bells. It had one composition spanning two sides of an LP, and featured Oldfield playing almost all the instruments. We look back at this iconic work that launched Mike Oldfield’s career, Virgin Records, and hundreds of one-man-band recordings.
Here you can see Mike Oldfield performing at the 2012 London Olympics.
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Mike Oldfield & Brian Eno both share birthdays today. Oldfield turns 60 and Eno turns 65. Each artist has shaped the music we hear today. Brian Eno has been the more prolific and expansive, working across genres and attaining massive popular success in each of the last 5 decades through his work with other artists like Devo, Talking Heads, David Bowie, U2, and Coldplay not to mention Roxy Music. Along the way he created or mid-wifed genres like ambient, techno-tribal and generative music.
We’ll be featuring Mike Oldfield on May 20 when we celebrate the 40th anniversary of Tubular Bells. We’ll have interviews with Oldfield, Tom Newman, Brian Eno, The Orb and more, talking about this signature work and the artist behind it. Sometimes I’m amazed at the young musicians we have on Echoes now, but Mike Oldfield was only 20 when the album was released and he’d started it when he was 17 while playing in Kevin AyersWhole World.
Here’s a very nice video from the BBC of Mike Oldfield performing Tubular Bells live in 1973. Pretty amazing what you can do without a single computer in sight.
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Mike Oldfield’s Tubular Bells performed by Brooklyn Organ Synth Orchestra
This is kind of a gas. The Brooklyn Organ Synth Orchestra is a group of over 20 different NYC female keyboardists playing Tubular Bells on keyboards vintage and new at Joe McGinty’s Carousel Studio in Brooklyn, NY. They vamp it up on the main themes from TB and it’s a lot of fun, especially if you’re a gearhead. Could be an Echoes Living Room Concert in there.
If you think one acoustic guitar is good, there are some musicians who think 2, 3 or 4 is even better. The California Guitar Trio has embraced this concept. As the name suggests, there are three of them, Paul Richards, Bert Lams and Hideyo Moriya, but despite the name, none of them live in California. They’re graduates of Robert Fripp’s League of Crafty Guitarists and for seventeen years they’ve been making music that sounds like one musician, with 30 fingers. Their new album is a CD of cover tunes called Echoes.
They cover Queen’s “Bohemian Rhapsody,” Lynard Skynard‘s “Freebird” (probably in response to smart-assed requests from the audience), and something from a guy named Ludwig Van Beethoven.
CGT write some beautiful original tunes, but they’ve always done a lot of covers in their music, creating unlikely adaptations like this for their 3 guitars. They expand a little bit with a few other musicians and really stand out on remakes of Pink Floyd‘s “Echoes” and Mike Oldfield‘s “Tubular Bells.”
CGT haven’t been acoustic purists for a while. They amp up their acoustics so they sound like
electrics at times and aren’t wary of using some electronic processing and a few other musicians to obtain the sound they want.
Unlike the California Guitar Trio, David Pritchardactually lives in the Golden State. He started doing the multiple guitar thing just before CGT in 1990 with his album, Air Patterns. Sometimes he plays one guitar. Sometimes he plays five. He’s a jazz guitarist with classical chops composing a lush minimalist music for multiple guitar players, although sometimes they are all named David Pritchard.
On the title track to his new album, Vertical Eden, he overdubs himself playing 5 acoustic guitars. But he brings in four other guitarists when he plays live. Like the California Guitar Trio, he’s expanded his palette on CD with other musicians, but multiple guitars, contrapuntal arrangements and what Guitar Player magazine once called “arpeggios from hell,” remain the cornerstone of his music.
You can get tangled up in strings with David Pritchard’s Vertical Edenand the California Guitar Trio’s Echoes.
Tubular Babes-Mike Oldfield Revamped.
March 13, 2011Mike Oldfield’s Tubular Bells performed by Brooklyn Organ Synth Orchestra
Thanks to Dangerous Minds for the pointer.
John Diliberto ((( echoes )))
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Tags:Mike Oldfield, Tubular Bells
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