Ottmar Liebert Free Download

Ottmar Liebert releases collaboration with Iraqi oud player Rahim Alhaj

Middle Eastern influences are already present in the flamenco music that is at the core of  Ottmar Liebert‘s sound.  He explores those themes even more thoroughly on Under the Rose, a collaboration with Iraqi oud player Rahim Alhaj.   It’s more than just duets.  Liebert brings in his rhythm section while his production creates a seductive, nocturnal atmosphere around these pieces, adding slight effects like backward guitar punctuations  to melodic trade-offs between Liebert and Alhaj on the title track.   Liebert explores Middle Eastern exotica on “A Storm Approaches.”   Over a rolling caravan groove,  synthesizers swirl in the background while Liebert improvises on  wah-wah electric guitar with punctuations from Alhaj.    None of the tracks get all that fiery in either a flamenco or Middle Eastern sense, hewing to the slow tempo burn Liebert has favored for years.

Under the Rose is available as a free download from ottmarliebert.com,  and comes with beautiful, printable artwork.  But the disc is also a benefit CD for Direct Aid Iraq.  Direct Aid Iraq (DAI) is a network of Iraqis, Americans, and others supporting a future of peace for Iraq through providing aid, facilitating cooperation, engaging in advocacy, and providing education.  DAI is a program of the Middle East Cultural and Charitable Society, a 501(c)(3) not-for-profit organization registered in the United States.  So give ’em some money if you want to support the cause.

Personally, I think Liebert has made a mistake putting Under the Rose out as a free download.  It’s among his best CDs and the dual leads between guitar and oud bring a new dimension to his already hybrid flamenco fusion.

John Diliberto ((( echoes )))

Echo Location: Ottmar Liebert’s The Scent of Light-Echoes August CD of the Month

Nouveau Flamenco creator goes wide-screen on The Scent of Light

(You can hear an audio version of this Echo Location with music.)

Ottmar Liebert would be the last person to call his music straight-up flamenco. His rhythmic strumming interspersed with intricate finger picking and Spanish rhythms comes from that tradition, but Liebert’s approach is more languid and less florid than most flamenco players. That’s one reason why he called his debut album, Nouveau Flamenco when he burst on the scene in 1990. It conjures up the southwestern desert landscapes of his home in Sante Fe more than sensual Spanish dancers.

Liebert has taken an introspective and experimental path that flies in the face of music purity and even fans’ expectations. He’s recorded an album of classical music with orchestra, Leaning Into the Night, that featured original tunes and compositions by Ravel, Satie and Puccini. That CD was something of an about face from his 1990’s love affair with electronics. He got the remix treatment on Euphoria, where Steve Hillage, Steve Be Zet and Aki Nawaz brought electronic beats to his music. That was followed up by his psychedelic epic, a double CD called Opium that was a Nouveau Ambient Flamenco journey.

The ambient influence has remained a subtle force in Ottmar Liebert’s music. He uses electronics to gently shape the acoustic space around his guitar and band, Luna Negra. That’s evident on his new CD, The Scent of Light.

The music on The Scent of Light builds slowly, each piece carving out a contemplative space until before you know it, the dynamic has completely changed. A centerpiece of the album is “Silence, No More Longing.” It’s an 11 minute excursion that builds from solo guitar, to multi-tracked guitars adding ambient electronics, bass, percussion, and finally unleashing a quiet electric storm from guitarist Stephen Duros.

In many ways, The Scent of Light is a direct descendent of his 1993 CD, The Hours Between Night and Day. Like that album, many of the songs here are inspired by Liebert’s travels, and he went beyond his standard ensemble line-up for more lush, evocative arrangements full of ambient shadows and environmental sounds.

The Scent of Light is full of subtle, but unexpected touches. There’s the reverse percussion echoes on “Firelight,” the call and response guitars of “The River: Writing in Water,” and the tamboura drone and tabla that comes in through “Candlelight.” The mellotron flutes and reverse guitar bring “Moonlight” to a haunting close as it dissolves dissolving into birds and wind. Liebert takes you from a world of interior ruminations to exterior vistas.

Ottmar Liebert is calling The Scent of Light his best album ever. I’ll need more time for that kind of assessment, but it’s certainly one of his best. It’s our Echoes CD of the Month for August.  We’ll be featuring it in a special show on Monday, August 4.  Check www.echoes.org for for more information.  A separate review of The Scent of Light  will be live on the site shortly.

John Diliberto,  July 30, 2008                                                                                                              (((echoes)))